Glazing large bowls inside-and-out using brushing glaze

This wheel-thrown bowl is large, heavy and thick walled. There are pouring techniques to apply different colored dipping glazes to the inside and out but they are cumbersome and slow. It turns out that the hobbyist way of glazing is actually better - by brushing. I make these 500ml jars of brushing glaze and tune the percentage of gums to get the painting consistency and drying time best for me. Applying multiple coats by brush took only a few minutes and no wax resist or any other tools were needed. And it was easy to meet the two glazes in a straight line at the rim using the brush. The inside glaze is G2936B and outside is G2926B.

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Brushing glazes on large pottery items is surprisingly practical

I applied this transparent inside and out on both bisque and bone-dry ware using only a small brush (of course a larger one or a fan brush would be better). I have done up to 35 lb bowls this way. This is not a commercial brushing glaze, it is a dipping glaze that we mix ourselves: G1947U. We add 10g CMC gum powder to one liter of a water-reduced version of the slurry. Blender mixing makes it possible to mix in the powdered gum and tune water content for the best brushing experience. The gum slows down the drying speed dramatically so there is plenty of time to brush it into place (while the wheel is turning). The gum also greatly increases the cohesion, enabling pouring it without drips, even in a long thin stream. Many pieces were done like this in recent kiln loads (including application onto a leather-hard 40-inch tall vase), the evenness of coverage was the best I have ever gotten (of any technique).

Here is my setup to make brushing glazes and underglazes by-the-jar

To make a low SG version of G2934BL I have already weighed out a 340g batch (it contains 5g each of Veegum and CMC gum to gel the slurry and slow the drying). I use 440g of water initially (adjusting that according to experience in brushing behaviour). After shake-mixing all the powder in the plastic bag I pour it into the water on low speed and finish with 20 seconds on high speed. This produces a low specific gravity brushing glaze, it just fills this 500ml jar. In subsequent batches, I adjust the Veegum for more or less gel and the CMC for slower or faster drying. Later I also assess whether the CMC gum is being degraded by microbial attack - often evident if the slurry thins and loses its gel. Since each glaze recipe responds differently and changes differently over time, good notes are essential. We are working on dozens of these at any given time, each is code-numbered in our group account at Insight-live.com. This is so worthwhile doing that I make quality custom labels for each jar!

Links

Glossary	Brushing Glaze Hobbyists and increasing numbers of potters use commercial paint-on glazes. It's convenient, there are lots of visual effects. There are also issues compared to dipping glazes. You can also make your own.

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