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G1214Z1 - Cone 6 Calcium Matte v2

Modified: 2025-02-04 20:59:08

This glaze was born as a demonstration of how to use chemistry to convert a glossy cone 6 glaze into a matte.

Material	Amount
Wollastonite	27.00
Ferro Frit 3124	36.00
EPK	20.00
Silica	5.00
Calcined Kaolin	13.00
101.00

Notes

This is an adjustment to the original G1214Z recipe. The chemistry of this is the same, but the 37 raw kaolin in the original has been split to a combination of raw:calcined kaolin to reduce drying shrinkage (preventing cracking as it dries and crawling during firing). If unavailable, you can make your own calcined kaolin by roasting the powder in a container in a bisque firing.

Like G1214Z, this achieves a mat surface by incorporating a very high percentage of CaO in the chemistry. While visually appealing surfaces can be achieved, especially with slower cooling, leach testing should be done if metal oxide pigments are being used.

For 3000 grams we use 2600 water to get 1.45 specific gravity and good flow properties (no Epsom salts should be needed to gel the slurry, it is naturally thixotropic).

Related Information

5% titanium dioxide in G2934Y matte, G1214Z1 matte, G2926B glossy

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The body is Plainsman M390. The firing schedule is Plainsman PLC6DS.

Partially and fully opacified cone 6 G1214Z1 matte glaze

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This is a calcium matte base (as opposed to the magnesia matte G2934). The clay is Plainsman M390. 5% Zircopax was added on the left (normally 10% or more is needed to get full opacity, the partially opaque effect highlight contours well). 5% tin oxide was added to the one on the right (tin is a more effective, albeit expensive opacifier in oxidation). The PLC6DS firing schedule was used.

G1214Z1 on M390 and Plainsman Coffee Clay at Cone 6

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Double-layered on top half. Fired with the PLC6DS schedule.

Titanium Dioxide in a cone 6 calcium matte glaze

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The glaze is G1214Z1 cone 6 base calcium matte on Plainsman M390 fired at cone 6 using the PLC6DS schedule. 5% titanium dioxide has been added. Titanium can create reactive glazes, like rutile, with no other colorants added. This effect also works well on matte surfaces, but the glaze needs good melt fluidity (that is good because functional mattes melt well). Calcium mattes host crystallization and work particularly well. Because titanium dioxide does not contain iron oxide lighter colors and better blues are possible compared to rutile (iron is still needed by it is coming from the body here). Like rutile, the effects are dependent on the cooling rate of the firing, slower cools produce more reactivity. Even application without drips is important (mixing as a thixotropic dipping glaze is best). This appearance also depends on using dark burning body or engobe.

G1214Z1 at cone 6 with 10% Zircopax and 5% tin oxide

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The body is Plainsman M390. The firing schedule is Plainsman PLC6DS. The tin is on the right.

Our base glazes plus opacifiers on a dark burning body at cone 6

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The body is Plainsman M390. These are commonly-used base glazes. The top one is an MgO matte, next down is a calcium matte. They react very differently to these additions. Notice also the difference when titanium dioxide is applied thickly. Tin oxide fires whiter than zircon (e.g. Zircopax). Each opacifier has issues. Tin is expensive. Titanium is difficult to mix into the slurry (screening required), not as white or opaque, variations in thickness produce more difference in results and it can turn blue. Zircon is more likely to cutlery mark, twice as much is required and it amplifies the color of any iron present.

A functional matte cone 6 glaze should melt as well as a glossy

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True functional mattes have fluid melts, like glossy glazes. They need this in order to develop a hard, non-scratching, durable glass. The mechanism of the G1214Z1 matte on the right is high Al₂O₃, it is actually melting more than the glossy G1214W on the left (this was fired between cone 5 and 6, it normally runs right off the runway).

Comparing two glazes having different mechanisms for their matteness

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These are two cone 6 matte glazes (shown side by side in an account at Insight-live). G1214Z is high calcium and a high silica:alumina ratio. It crystallizes during cooling to make the matte effect and the degree of matteness is adjustable by trimming the silica content (but notice how much it runs). The G2928C has high MgO and it produces the classic silky matte by micro-wrinkling the surface, its matteness is adjustable by trimming the calcined kaolin. CaO is a standard oxide that is in almost all glazes, 0.4 is not high for it. But you would never normally see more than 0.3 of MgO in a cone 6 glaze (if you do it will likely be unstable). The G2928C also has 5% tin, if that was not there it would be darker than the other one because Ravenscrag Slip has a little iron. This was made by recalculating the Moore's Matte recipe to use as much Ravenscrag Slip as possible yet keep the overall chemistry the same. This glaze actually has texture like a dolomite matte at cone 10R, it is great. And it has wonderful application properties. And it does not craze, on Plainsman M370 (it even survived a 300F-to-ice water IWCT test). This looks like it could be a great liner glaze.

Surface wrinkling of G1214Z cone 6 ceramic glaze

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The reason for this rather strange-looking wrinkling, experienced by one potter, is not obvious. But we are suspicious that the issue occurs at the application stage, and that substituting the calcined kaolin for raw kaolin in the recipe will thus resolve it. The G1214Z matte base glaze contains a high percentage of clay, kaolin to be specific. That can increase drying shrinkage enough for cracking to occur, leading to crawling. To reduce shrinkage we supply the kaolin as a mix of raw and calcined. The original recipe called for 36 kaolin, we supplied that with 20 EPK and 14 calcined kaolin. But that only adds up to 34, not 36. Why? Kaolin experiences a 12% LOI (weight-loss on firing). That means that 14 calcined kaolin supplies the same oxides as 16 raw EPK (14/0.88=16). Would this glaze work with 36 kaolin? For most people it would. As long as the bisque is porous enough to absorb water quickly, the glaze slurry does not have too much water and glaze is not applied too thickly. Adding a small amount of CMC gum, e.g. 0.1%, would also help if cracking occurs.

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G1214Z blue glaze from Lilly Ann Hume

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G1214Z golden glaze sample from Lilly Ann Hume

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1214Z over Ravenscrag slip at cone 6 gives mottled surface

G1214Z matte glaze melt flow

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This melt fluidity tester demonstrates that the cone 6 G1214Z recipe fires highly melt fluid, much more than one might expect from a matte glaze. When applied as a thin layer on pottery it does behave as a matte glaze. A quick look at its chemistry reveals the reason: High CaO and a low Si:Al ratio. Unfortunately, many matte glaze are such simply because they are not melted enough.

Zircopax, tin oxide, titanium as opacifiers in four base glazes

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The body is Plainsman M390. Firing is the cone 6 PLC6DS schedule. Each horizontal row is a commonly-used base glaze. The top one is an MgO matte, the next one down is a calcium matte, row 3 is G2926B glossy and row 4 is Ravenscrag Slip+frit. The two mattes behave very differently from each other with the additions of opacifier. Thickly applying an opacified glaze will obviously affect visual character (column 4). Tin oxide fires whiter than zircon (e.g. Zircopax). If you like the G2934 recipe, consider the G2934Y variant for better melting.

G2934 cone 6 DIY MgO matte glaze: Reliable, durable, adjustable, stainable

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These pieces were made from Plainsman Polar Ice and fired to cone 6 using variations on the PLC6DS and C6DHSC schedules. The dipping glaze is G2934Y, a recipe variant of G2934 having a finer micro-surface texture (it has the same chemistry but the MgO is sourced from a frit and talc instead of dolomite). These mugs display how well the recipe works with stains and the varying degrees of matteness we can achieve by varying the cooling rate and the percentage of glossy G2926B base blended in. As an MgO matte, this glaze can have a surface pleasant to the touch. It fires durable, can be quite matte without cutlery marking and it has very good slurry and application properties (as a dipping glaze). It has a very low thermal expansion (won’t craze). It works really well with stains (except purples). It melts even better than the glossy!

A potter fixes a leaching glaze problem

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G1214Z1 is a popular cone 6 calcium matte glaze recipe. It has very high melt fluidity, enabling a fine grained crystalline matte surface to develop during cooling. A potter was steered to this recipe after finding that G2934 magnesia matte fired too variegated when stained blue. However, her first effort with this failed a leaching test. She had a secret weapon: An account at Insight-live.com, where recipes and their calculated oxide formulas can be compared side-by-side. Leaching glazes are most often runny because they contain excessive fluxing oxides. She simply increased the SiO₂, it is the glass that makes up the lion's share of all glazes (higher amounts of it characterize glossy glazes). Al₂O₃ couples with it to improve durability (and the Si:Al ratio is a factor in the degree of matteness). With an accompanying small increase in the B₂O₃, the magic glass:flux that makes most cone 6 glazes possible, the got the result on the right. The good news: It passed the GLLE test for leaching. There is a lesson here: She had to compromise the degree of matteness a little to get the food safe product. A benefit is that it is also less prone to cutlery marking. Happily, it turned out that much less blue stain was needed.

Mason stains in the G2934 matte base glaze at cone 6

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Stains can work surprisingly well in matte base glazes like the DIY G2934 recipe. The glass is less transparent and so varying thicknesses do not produce as much variation in tint as glossy bases do. Notice how low many of the stain percentages are here, yet most of the colors are bright. We tested 6600, 6350, 6300, 6021 and 6404 overnight in lemon juice, they all passed leach-free. The 6385 is an error, it should be purple (that being said, do not use it, it is ugly in this base). And chrome-tin pink and maroon stains do not develop the color (e.g. 6006). But our G1214Z1 CaO-matte comes to the rescue, it both works better with some stains and has a more crystal matte surface. The degree-of-matteness of both can be tuned by cooling speed and blending in some G2926B glossy base. And it’s easy to turn any of these into brushing or dipping glazes.

Links

Articles	G1214M Cone 5-7 20x5 glossy transparent glaze This is a base transparent glaze recipe developed for cone 6. It is known as the 20x5 or 20 by 5 recipe. It is a simple 5 material at 20% each mix and it makes a good home base from which to rationalize adjustments.
Articles	G1214W Cone 6 transparent glaze The process we used to improve the 20x5 base cone 6 glaze recipe
Articles	G1214Z Cone 6 matte glaze This glaze was developed using the 1214W glossy as a starting point. This article overviews the types of matte glazes and rationalizes the method used to make this one.
Articles	The Right Chemistry for a Cone 6 MgO Matte
Articles	Reducing the Firing Temperature of a Glaze From Cone 10 to 6 Moving a cone 10 high temperature glaze down to cone 5-6 can require major surgery on the recipe or the transplantation of the color and surface mechanisms into a similar cone 6 base glaze.
Firing Schedules	Plainsman Cone 6 Electric Standard Used in the Plainsman lab to fire clay test bars in our small kilns
Recipes	G1214M - Original Cone 6 Base Glossy Glaze A recipe developed by Tony Hansen in the 1980s. Its was popular because of the simplicity of the recipe and how well it worked with chrome-tin stains.
Recipes	G1216M - Cone 6 Ultraclear Glaze for Porcelains Substitute for low expansion cone 6 G1215U, this sources MgO from talc instead of a frit
Recipes	G2928C - Ravenscrag Silky Matte for Cone 6 Plainsman Cone 6 Ravenscrag Slip based glaze. It can be found among others at http://ravenscrag.com.
Recipes	G2934 - Matte Glaze Base for Cone 6 A base MgO matte glaze recipe fires to a hard utilitarian surface and has very good working properties. Blend in the glossy if it is too matte.
Typecodes	Medium Temperature Glaze Recipes Normally fired at cone 5-7 in electric kilns.
Typecodes	Matte Glaze Recipes Much less common that glossy glazes, normally have stricter firing requirements.
Typecodes	INSIGHT Glaze Recipes These are sample recipes included with INSIGHT software.
Media	Desktop Insight 2 - Creating a Matte Glaze Learn to convert a glossy glaze into a matte by comparing its chemistry with a target matte formula. Alter the chemistry in such a way that the thermal expansion does not rise and it maintains good physical application and suspension properties.
Glossary	Matte Glaze Random material mixes that melt well overwhelmingly want to be glossy, creating a matte glaze that is also functional is not an easy task.

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