Stains are a much better choice for coloring glazes than raw metal oxides. Other than the great colors they produce here, there are a number of things worth noticing. The percentages may be lower than what you think would be needed, stains are potent colorants. Staining a transparent glaze produces a transparent color, that means it is more intense where the glaze layer is thicker. This is often desirable in highlighting contours and designs. If you add an opacifier, like zircopax, the color will be less intense, producing a pastel shade the more you add. The chrome-tin maroon 6006 does not develop well in this base (alternatives are G2916F or G1214M ). The 6020 manganese alumina pink is also not developing here (it is a body stain). Caution is required with inclusion stains (like #6021), the bubbling here is not likely because it is over fired (it is rated to cone 8), adding 1-2% zircopax normally fixes this issue.
G2926B - Cone 6 Whiteware/Porcelain Transparent Base Glaze
A base transparent glaze recipe created by Tony Hansen for Plainsman Clays, it fires high gloss and ultra clear with low melt mobility.
|Materials||Frit VO 6134|
|Materials||Mason 6600 Black Stain|
|Materials||Mason 6027 Stain|
|Materials||Mason 6021 Red Stain|
Understanding your transparent glaze and learning how to adjust its melt fluidity, thermal expansion, color response, etc is a base on which to build all your other glazes.
Ceramic stains are manufactured powders. They are used as an alternative to employing metal oxide powders and have many advantages.
In ceramics and pottery, colorants are added to glazes as metal oxides, metal-oxide-containing raw materials or as manufactured stains.
Concentrate on One Good Glaze
It is better to understand and have control of one good base glaze than be at the mercy of dozens of imported recipes that do not work. There is a lot more to being a good glaze than fired appearance.