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This is G3948A, an iron red cone 6 reactive glaze (similar to several commercially available products). The reason for the variegated surface is the high fluidity of the melt. Adequate thickness is also important, enabling it to run downward to some extent. That means this is not actually over-fired. Using it thus requires consideration of the running behavior, accommodating it in the shape of the ware on which it is used. Obviously, using this on the insides of pieces would result in pooling at the base, which would likely produce glaze compression, cracking the piece during cooling. Use on the outsides may require a catch glaze.
This iron red cone 6 glaze, G3948A (similar to Amaco Ancient Copper), is applied thickly and runs during firing. With no countermeasures, it ends up on the kiln shelf (like the one on the left). Since this glaze breaks-to-black where thin on the edges of contours, glazing the base black seems like a natural match. The base of this was first dipped in G3914A black, up to about 1 cm (1/2 in). I then waxed over all of the black up to within 1-2mm of its edge. Then I applied the iron red by dipping in the normal way for liner glazing mugs. For this thickness of the brown the black melt is able to catch and stop it within 5mm or less.
This is G3948A, a super runny cone 6 iron red glaze. The clay body is M340. This glaze has to be runny, applied thickly enough, be held at temperature and cooled slowly to achieve this visual effect. When applied at the needed thickness it will run off the ware onto the kiln shelf during firing. Why has that not happened? A catcher glaze on the lower section. In this case, the catcher is the same glaze. On the left, the bottom half of the mug has just been dipped into the glaze quickly, giving a layer that is too thin to achieve the red effect. That dried within a few seconds and enabled pushing the top half down into the dipping glaze for twice as long (the inside has a liner glaze and is waxed up to the rim). The upper section glaze is guaranteed to run and the bottom is not thick enough to run. The result is complete blurring of the dividing line and coverage that looks natural and flawless.
Glossary |
Reactive Glazes
In ceramics, reactive glazes have variegated surfaces that are a product of more melt fluidity and the presence of opacifiers, crystallizers and phase changers. |
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Glossary |
Melt Fluidity
Ceramic glazes melt and flow according to their chemistry, particle size and mineralogy. Observing and measuring the nature and amount of flow is important in understanding them. |
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