All Glossary

Liner Glazing

Step-by-step to apply inside and outside glazes to a pottery mug and get them to meet at a clean line at the rim.

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Details

This page describes the technique of glazing pottery to make an inside and outside glaze meet in a clean line at the rim. The technique is common in commercial ware and requires precision to execute well. It is not only aesthetic but also functional - more durable and food safe glazes are appropriate on food surfaces. Separate glazing operations for inside and outside surfaces are also a practical production technique (e.g. for thin-walled pieces that would waterlog on a complete dip, where separate people or teams cooperate in glazing each piece).

• Use glazes that do not have too much melt fluidity (run too much during firing) or they may bleed into each other across the join.
• Use a thixotropic dipping glaze, don't put up with problems of excessive dripping, settling in the bucket, slow or drying.
• Form the mug (on the wheel) such that the lip flares out a little, this will reduce dripping down the outside on the outpour. Also, round the lip so the glaze join line occurs on a rounded contour.

Step-by-Step

1. Fill the bisque mug with liner glaze. Pour it out in a circular motion and then dip the lip. Hold it there long enough to get the thickness needed:
2. After the glaze has dried sufficiently, use a banding wheel to wax up the inside (starting about an inch down) and just up around the top of the lip.
3. Using a sharp knife (e.g. Olfa cutter) in one hand and rotating the mug with the other, cut away the glaze (down to the bisque) up to the highest point on the lip (the best cut with the least dust is done when the glaze is still damp). Clean up any remaining glaze down around the outside of the rim using a fettling knife. Now the inside glaze terminates at a perfect wax-covered edge at the lip. It may be necessary to clean any remaining glaze off the outside up to the wax line using a damp sponge. This is important if the outside glaze is not going to be applied right away, otherwise the dried glaze residue will cause adherence problems.
4. Let the mug dry a while and glaze the outside (if it is thin-walled an extended drying time may be needed). Keep your hands damp so they will not stick to the wax (and pull off sections as you touch it). Push the lip of the mug into the glaze 5-10mm (be careful to hold the mug level as you do this). Immediately turn it over, put your hand inside and clamp against the interior surface and push it into the glaze right down to the rim (to overlap the lip dip just made). It may be tricky at first to push the mug down far enough and avoid glaze spilling inside.
5. Set the mug on a turntable to sponge away any drips left over the wax-covered liner on the inside top of the lip.
6. Clean the foot and set it out to dry.

Related Information

Liner Glazing a porcelain mug

The process of applying a liner glaze to the inside of a piece (by pouring), applying wax emulsion up the top inside and over the rim (using a turntable and brush), removing the glaze up the outside to mid-rim and finally dipping the rim and outside into the other glaze.

Meet two glazes at the rim using wax emulsion. Why? How?

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Reactive glazes (melt-mobile, crystallizing or heavily pigmented) are the least suitable for food surfaces because they have the potential to leach metals. Liner glazing ware is an excellent way to deal with this problem. Not only does this approach improve functionality but it can be aesthetically pleasing and practical in production. This liner is GA6-B, a pottery glaze recipe we promote with confidence. Not only is it less likely to be leaching metals but also less likely to craze - this assures water tightness on non-vitreous bodies and eliminates any potential for bacteria growth in the cracks (especially if the body has porosity). Unfortunately, glazes that leach are also likely to stain and cutlery mark - these add more reasons why they are most often unsuitable for food surfaces. The straightness of the dividing line is affected by both the application technique and the degree to which the two glazes bleed into each other and run. Read and watch our liner glazing step-by-step and liner glazing video for details on how to do this - it is practical for any potter or hobbyist (or even in production). And tap/click the picture above for other examples of this.

Beautifully finished mug from Tim Hortons

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This was a limited edition heavy (450g or 1 lb) white stoneware mug for sale in Tim Hortons restaurants recently. It exhibits fine workmanship and carries lessons for potters. Notice they employ a transparent food safe liner glaze. The outside decoration appears to have been done at the leather hard stage using a colored engobe, wax resist and ceramic transfers. The entire piece was likely dipped in a transparent glaze (in the bisque state). The handle has a simple and functional shape that could be emulated using our handle mold making techniques. The simple flared body shape lends itself well to jiggering.

Mistake when liner glazing a mug

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The white inner liner glaze (that wraps over the rim) was not removed after the wax was applied. The outer glaze thus overlays patches of it near the rim. The meeting line has been blurred and the other glaze has run downward and crawled somewhat revealing patches of the inner one.

Which liner glazing looks better to you?

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With the proper technique of applying a liner glaze you can make the outside and inside ones meet in a straight line at the rim rather than just have one spill over the other.

A fluid melt glaze bleeds much more into adjoining ones

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The outer green glaze on these cone 6 porcelain mugs has a high melt fluidity. The liner glaze on the lower one, G2926B, is high gloss but not highly melt fluid. Notice that it forms a fairly crisp boundary with the outer glaze at the lip of the mug. The upper liner is G3806C, a fluid melt high gloss clear. The outer and inner glazes bleed together completely forming a very fuzzy boundary.

Inbound Photo Links

Gunmetal black mug demos liner glazing: Safe glaze inside, pigmented matte outside.

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