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The special dipping frame, application of colour as an underglaze, slurry rheology and very fast dip are a key to making this possible.

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These seem to work well for brushing glazes whether the bristles are fine or coarse, stiff or soft. The key to their utility is the shape. Glazes are gummed and gelled. An ordinary brush, when dipped, pulls together, minimizing the total load it can hold and the breadth of stroke it can make. But these stay fanned. Each bristle has access to more glaze, and thus the brush can deliver more. The fan shape also assists in spreading it evenly over the surface; after all, that is the purpose, spreading evenly, not decorating. Gelled slurries drip much less, so a fan brush can be dipped and brushed in rapid succession. And, these brushes are much easier to clean. These were purchased at Michaels, they are good quality and inexpensive.
| Glossary |
Brushing Glaze
Hobbyists and increasing numbers of potters use commercial paint-on glazes. It's convenient, there are lots of visual effects. There are also issues compared to dipping glazes. You can also make your own. |
| Glossary |
Once-Fire
The practice of once-firing ceramics (no bisque) to produce fully glazed products. Considerable technical expertise and good testing are required to make it work. This is not a shortcut to skipping bisque firing. |
| Typecodes |
Videos of factory workers making holloware
They use the same basic techniques as potters. But they work at astonishing speed, use novel tools and hybrid workflows. |
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