325 mesh | 3D Design | 3D Printer | 3D Slicer | 3D-Printed Clay | 3D-Printing | Abrasion Ceramics | Acidic Oxides | Agglomeration | Alkali | Alkaline Earths | Amorphous | Apparent porosity | Ball milling | Bamboo Glaze | Base Glaze | Base-Coat Dipping Glaze | Basic Oxides | Batch Recipe | Bisque | Bit Image | Black Coring | Bleeding colors | Blisters | Bloating | Blunging | Bone China | Borate | Boron Blue | Boron Frit | Borosilicate | Breaking Glaze | Brushing Glaze | Buff stoneware | Calcination | Calculated Thermal Expansion | Candling | Carbon Burnout | Carbon trap glazes | CAS Numbers | Casting-Jiggering | Celadon Glaze | Ceramic | Ceramic Binder | Ceramic Decals | Ceramic Glaze | Ceramic Ink | Ceramic Material | Ceramic Oxide | Ceramic Slip | Ceramic Stain | Ceramic Tile | Ceramics | Characterization | Chemical Analysis | Chromaticity | Clay | Clay body | Clay Body Porosity | Clay Stiffness | Co-efficient of Thermal Expansion | Code Numbering | Coil pottery | Colloid | Colorant | Cone 1 | Cone plaque | Cones | Copper Red | Cordierite Ceramics | Crackle glaze | Crawling | Crazing | Cristobalite | Cristobalite Inversion | Crucible | Crystalline glazes | Crystallization | Cuerda Seca | Cutlery Marking | De-Airing Pugmill | Decomposition | Deflocculation | Deoxylidration | Digitalfire Foresight | Digitalfire Insight | Digitalfire Reference Library | Dimpled glaze | Dip Glazing | Dipping Glaze | Dishwasher Safe | Dolomite Matte | Drop-and-Soak Firing | Drying Crack | Drying Performance | Drying Shrinkage | Dunting | Dust Pressing | Earthenware | Efflorescence | Encapsulated Stains | Engobe | Eutectic | Fast Fire Glazes | Fat Glaze | Feldspar Glazes | Firebrick | Fireclay | Fired Strength | Firing Schedule | Firing Shrinkage | Flameware | Flashing | Flocculation | Fluid Melt Glazes | Flux | Food Safe | Foot Ring | Forming Method | Formula Ratios | Formula Weight | Frit | Fritware | Functional | GHS Safety Data Sheets | Glass vs. Crystalline | Glass-Ceramic Glazes | Glaze Bubbles | Glaze Chemistry | Glaze Compression | Glaze Durability | Glaze fit | Glaze Gelling | Glaze Layering | Glaze Mixing | Glaze Recipes | Glaze Shrinkage | Glaze thickness | Globally Harmonized Data Sheets | Glossy Glaze | | Grog | Gunmetal glaze | Handles | High Temperature Glaze | Hot Pressing | Incised decoration | Ink Jet Printing | Inside-only Glazing | Insight-Live | Interface | Iron Red Glaze | Jasper Ware | Jiggering | Kaki | Kiln Controller | Kiln Firing | Kiln fumes | Kiln venting system | Kiln Wash | Kovar Metal | Laminations | Leaching | Lead in Ceramic Glazes | Leather hard | Lime Popping | Limit Formula | Limit Recipe | Liner Glaze | LOI | Low Temperature Glaze Recipes | Lustre Colors | Majolica | Marbling | Material Substitution | Matte Glaze | Maturity | Maximum Density | MDT | Mechanism | Medalta Potteries, Medalta Stoneware | Medium Temperature Glaze | Melt Fluidity | Melting Temperature | Metallic Glazes | Micro Organisms | Microwave Safe | Mineralogy | Mocha glazes | Mohs Hardness | Mole% | Monocottura | Mosaic Tile | Mottled | Mullite Crystals | Native Clay | Non Oxide Ceramics | Oil-spot glaze | Once fire glazing | Opacifier | Opacity | Ovenware | Overglaze | Oxidation Firing | Oxide Formula | Oxide Interaction | Oxide System | Particle orientation | Particle Size Distribution | PCE | Permeability | Phase change | Phase Diagram | Phase Separation | Physical Testing | Pinholing | Plainsman Clays | Plaster Bat | Plaster table | Plasticine | Plasticity | Plucking | Porcelain | Porcelaineous Stoneware | Pour Glazing | Precipitation | Primary Clay | Primitive Firing | Production Setup | Propane | Propeller Mixer | Pyroceramics | Pyroceramics | Quartz Inversion | Raku | Reactive Glazes | Reduction Firing | Reduction Speckle | Refiring Ceramics | Refractory | Refractory Ceramic Coatings | Representative Sample | Respirable Crystalline Silica | Rheology | Rutile Glaze | Salt firing | Sanitary ware | Sculpture | Secondary Clay | Shino Glazes | Shivering | Sieve | Silica:Alumina Ratio (SiO2:Al2O3) | Silk screen printing | Sintering | Slaking | Slip Casting | Slip Trailing | Soaking | Soluble colors | Soluble Salts | Specific gravity | Splitting | Spray Glazing | Stain Medium | Stoneware | Stull Chart | Sulfate Scum | Sulfates | Surface Area | Surface Tension | Suspension | Tapper Clay | Tenmoku | Terra cotta | Terra Sigilatta | Test Kiln | Theoretical Material | Thermal Conductivity | Thermal shock | Thermocouple | Thixotropy | Tony Hansen | Toxicity | Tranlucency | Translucency | Transparent Glazes | Triaxial Glaze Blending | Ultimate Particles | Underglaze | Unity Formula | Upwork | Viscosity | Vitreous | Vitrification | Volatiles | Warping | Water in Ceramics | Water Smoking | Water Solubility | Wedging | Whiteware | Wood Ash Glaze | Wood Firing | Zero3 | Zeta Potential

Green Strength

The green strength of clay bodies is an important property, it makes them resistant to breakage or damage during handling in production.

Details

This refers to the strength of the clay body in the dried form (greenware). The strength is a product of the degree to which the mass has been compressed and the surface area of the particles (great surface area means more points-of-contact and thus more strength). Clays of high green strength handle well during production, thus lowering losses in handling. Porcelains often have very little green strength whereas stonewares and fireclays typically have alot. Ball clays and bentonites are often added to bodies to impart green strength. Kaolins, on the other hand, have very low green strength. Binders are also added to bodies to increase green strength. Green strength, when imparted by clays in the recipe, is normally associated with higher drying shrinkage. However the green strength can more then compensate to enable crack-free drying. Bodies of high green strength dry slower.

Related Information

Stonewares dry better than porcelains

The plastic porcelain has 6% drying shrinkage, the coarse stoneware has 7%. They dried side-by-side. The latter has no cracking, the former has some cracking on all handles or bases (the lower handle is completely separated from the base on this one). Why: The range of particle sizes in the stoneware impart green strength. The particles and pores also terminate micro-cracks.

It shrinks much more yet cracks less. How is that possible?

Two mugs have dried. The clay on the left shrinks 7.5% on drying, the one on the right only 6%. Yet it consistently cracks less! Not the slightest hairline crack, not even at the handle joins. Why? Green or dry strength. If the dry clay matrix has the strength it can resist cracking even if there are stresses from uneven drying. The clay on the right is made using Kentucky ball clay, which has good plasticity but fairly low drying strength. The clay on the left is a native terra cotta, very plastic and very strong in the green state (likely double or triple the white clay). To demonstrate further: If paper fiber were added to the white clay, it would not crack. Why? Not because it would shrink less with the added fiber, no, the shrinkage would stay the same. Increased strength imparted by the fiber would give it the power to resist cracking.

Paper clay is easy to make. And really different!

This measuring cup contains 30 squares of toilet paper or 11 grams (which has disintegrated quickly and has been propeller-mixed). I am about to dump the paper fiber and 1000 grams of plastic porcelain powder into the water and then mix that up and pour the slurry onto a plaster bat. Although the fiber is only 1% by weight of the dry mix, this completely changes the working properties of the clay. It is still plastic, but much more difficult to cut with a knife or wire. It rolls out nicely into very thin slabs and they are very tough and easy to manipulate and build with. As it hardens it is still pretty plastic.When forced to bend it slowly breaks as the fibers release across the boundaries. Two dry pieces of this clay can be joined using only water and they stick together! Of course this paper needs to burn out during firing, so you need good ventilation on your kiln. You might think that this paper clay shrinks much less than the non-paper version. Actually, it shrinks more (likely because of the increased percentage of water needed). The paper is imparting strength, that strength is enough to resist cracking on drying.

Links

Glossary Ceramic Binder
Binders harden ceramic powders as they dry. They enable the use of less plastic material mixes that can still adhere and be dry durable.

By Tony Hansen


Copyright 2008, 2015, 2017 https://digitalfire.com, All Rights Reserved