Sulfates

Soluble sulfates in clay produce efflorescence, an unsightly scum that mars the fired surface of structural and functional ceramic products.

Key phrases linking here: sulphates, sulfates - Learn more

Details

Sodium, potassium, magnesium sulfates can be found in many clays. These are soluble and migrate to the surface during drying. Soluble salts can be iron stained, but often are white. Depending on the temperature of the firing and the nature of the salt, they can leave scum on the surface (often called 'efflorescence') that ranges from dry white to melted, glossy brown. Heavy clay industries can tolerate clays with higher sulphate contents, but other industries, such as tile, need lower contents). When the clay is fired to vitrification, the salt can act as a micro-thin glaze and actually harden and give a sheen to the surface. On foot rings it can also result in plucking problems.

Related Information

Soluble salts on a range of different cone 6 fired clay brown/tan bodies

Tap picture for full size

The concentrations are not serious and are typical of what you might find on a commercial body.

A DFAC drying test disk of a terra cotta pottery clay from St. Ignacio, Sinaloa, Mexico

Tap picture for full size

This clay is used by traditional potters in the Mazatlan, Sinaloa, Mexico area. This DFAC test shows a very wide main crack and many edge cracks. These combine to indicate high shrinkage (a product of very high plasticity). Although the clay has some coarser grains that help channel water out, this is a very poor showing for drying performance, no large-scale manufacturer could tolerate this. That being said the Mexican potters use it with success! How? By adapting their drying procedures. The high dry strength of this material is also a factor to help prevent cracking. Almost any clay can be dried if it is done evenly. And any can be cracked if done unevenly enough. This DFAC test is also a good indicator of the amount of soluble salts present, in this case almost none.

How bad can efflorescence of soluble salts on fired ceramic be?

Tap picture for full size

Like this! This terra cotta clay matures to good strength around 1950F. Notice how the salts have concentrated on the outer and most visible surface, the more vitreous this fires the worse it looks! The piece was dried upside down so of course, all the water had to escape through that route. A complicating factor is how handling of the piece at the leather hard stage has made it even more unsightly. This problem is common in many terra cotta materials but can also surface in others. Barium carbonate can be used to precipitate the salts inside the clay matrix so they do not come to the surface on drying. There is good news: Solubles salt deposition can actually be much worse than you see here.

Links

Articles	Organic Matter in Clays: Detailed Overview A detailed look at what materials contain organics, what its effects are in firing (e.g. black core), what to do to deal with the problem and how to measure the amount of organics in a clay material.
Glossary	Deflocculation Deflocculation is the magic behind the ceramic casting process, it enables slurries having impossibly low water contents and ware having amazingly low drying shrinkage
Glossary	Efflorescence A common problem with dry and fired ceramic. It is evident by the presence of a light or dark colored scum on the dry or fired surface.
Glossary	Plucking A firing issue in ceramics where the foot rings of vitreous ware stick to the kiln shelf. Removing them leaves sharp fragments glued to the shelf.
Materials	Barium Carbonate A pure source of BaO for ceramic glazes. This is 77% BaO and has an LOI of 23% (lost at CO2 on firing).
Hazards	The Use of Barium in Clay Bodies Considerations regarding the use of barium carbonate in pottery and structural clay bodies for precipitation of soluble salts.

By Tony Hansen
Follow me on

Got a Question?

Buy me a coffee and we can talk