Alternate Names: Magnesium Silicate, Steatite, French Chalk, Hydrated talc
This bowl is 13cm across yet has a wall thickness of less than 2mm and weighs only 101g! It released from the mold with no problems and dried perfectly round. But it has a key advantage over stonewares and porcelains: When this is fired at cone 04-06 it will stay round!
The same glaze with MgO sourced from a frit (left) and from talc (right). The glaze is 1215U. Notice how much more the fritted one melts, even though they have the same chemistry. Frits are predictable when using glaze chemistry, it is more absolute and less relative. Mineral sources of oxides impose their own melting patterns and when one is substituted for another to supply an oxide in a glaze a different system with its own relative chemistry is entered. But when changing form one frit to another to supply an oxide or set of oxides, the melting properties stay within the same system and are predictable.
Because this glaze employs 10% dolomite instead of 10% calcium carbonate it has a lower thermal expansion and is less likely to craze. While the dolomite is contributing MgO, which normally mattes glazes, there is not enough to do it here.
GR10-G Silky magnesia matte cone 10R (Ravenscrag 100, Talc 10, Tin Oxide 4). This is a good example silky matte mechanism of high MgO. The Ravenscrag:Talc mix produces a good silky matte, the added tin appears to break the effect at the edges.
This liner glaze is 10% calcium carbonate added to Ravenscrag slip. Ravenscrag Slip does not craze when used by itself as a glaze at cone 10R on this body, so why would adding a relatively low expansion flux like CaO make it craze? It does not craze when adding 10% talc. This is an excellent example of the value to looking at the chemistry (the three are shown side-by-side in my account at Insight-live.com). The added CaO pushes the very-low-expansion Al2O3 and SiO2 down by 30% (in the unity formula), so the much higher expansion of all the others drives the expansion of the whole way up. And talc? It contains SiO2, so the SiO2 is not driven down nearly as much. In addition, MgO has a much lower expansion than CaO does.
This chart compares the gassing behavior of 6 materials (5 of which are very common in ceramic glazes) as they are fired from 500-1700F. It is a reminder that some late gassers overlap early melters. The LOI (loss on ignition) of these materials can affect your glazes (e.g. bubbles, blisters, pinholes, crawling). Notice that talc is not finished until after 1650F (many glazes have already begin melting by then).
Feldspar and talc are both flux sources (glaze melters). But the fluxes (Na2O and MgO) within these materials need the right mix of other oxides with which to interact to vitrify or melt a mix. The feldspar does source other oxides for the Na2O to interact with, but lacks other fluxes and the proportions are not right, it is only beginning to soften at cone 6. The soda frit is already very active at cone 06! As high as cone 6, talc (the best source of MgO) shows no signs of melting activity at all. But a high MgO frit is melting beautifully at cone 06. While the frits are melting primarily because of the boron content, the Na2O and MgO have become active participants in the melting of a low temperature glass. In addition, the oxides exist in a glass matrix that is much easier to melt than the crystal matrix of the raw materials.
This is a cone 10 glossy glaze. It should be crystal clear and smooth. But it contains strontium carbonate, talc and calcium carbonate. They produce gases as they decompose, if that gas needs to come out at the wrong time it turns the glaze into a Swiss cheeze of micro bubbles. One solution is to use non-gassing sources of MgO, SrO and CaO. Or, better, do a study to isolate which of these three materials is the problem and it might be possible to adjust the firing to accommodate it. Or, an adjustment could be make to the chemistry of the glaze such that the melting happened later and more vigorously (rather than earlier and more slowly). The latter is actually the likely cause, this glaze contains a small amount of boron frit. Boron melts very early so the glaze is likely already fluid while gases that normally escape before other cone 10 glazes even get started melting are being trapped by this one.
This clay was slurried in a mixer and then poured onto a plaster table for dewatering. During throwing it is splitting when stretched and peeling when cutting the base. Yet when this same clay is water-mixed and pugged in a vacuum de-airing pugmill it performs well. One might think that the slurry mixer would wet all the particle surfaces better than a pugmill, but it appears the energy that the latter is putting into the mix is needed to develop the plasticity when there is a high talc percentage in the recipe.
Talc particle surfaces do not wet as easily. Other mineral powders (like feldspar, silica, even clay, will wet and sink immediately). Yet even after 30 minutes this still had not submerged. Pugging clay bodies containing talc can be difficult for this reason. Laminations can be a problem even with small percentages of talc.
Talc is employed in low fire bodies to raise their thermal expansion (to put the squeeze on glazes to prevent crazing). These dilatometer curves make it very clear just how effective that strategy is! The talc body was fired at cone 04, the stoneware at cone 6. The former is porous and completely non-vitreous, the latter is semi vitreous. This demonstrates something else interesting: The impracticality of calculating the thermal expansion of clay bodies based on their oxide chemistry. Talc sources MgO and low fire bodies containing it would calculate to a low thermal expansion. But the opposite happens. Why? Because these bodies are composed of mineral particles loosely sintered together. A few melt somewhat, some change their mineral form, most remain unchanged. The body's COE is the additive sum of the proportionate populations of all the particles. Good luck calculating that!
Talc exhibits unique powder characteristics, a product of the particle shape and particle surface characteristics. While most powders slide cleanly from this stainless steel scoop, talc powder leaves a film. Dolomite and calcium carbonate are similar.
Texas talc (left) quickly absorbs all the water poured on it. Montana talc (right) resists whetting of the particles much more, the water is just sitting on top and has not penetrated at all.
2,5,10,15% talc added to Ravenscrag Slip on a buff stoneware fired at cone 10R. Matting begins at 10%. By Kat Valenzuela.
This body is made from approximately 50:35:15 ball clay:talc:silica:silica sand. These test bars are fired from cone 2 to 9 oxidation (bottom to top) and 10 Reduction and from them the porosity and fired shrinkage can be measured (shown for each bar). Notice that the fired shrinkage is pretty stable from cone 2 to 8, but accelerates at cone 9 oxidation. But in reduction this stage has not been reached yet. The same thing happens with porosity, the cone 9 bar is dramatically more dense than the cone 8 one. But in reduction, it is still porous.
GR10-C Ravenscrag cone 10R silky matte glaze closeup (on Plainsman H550 stoneware). The recipe is 90% Ravenscrag Slip (roast:raw combo) and 10% talc. The inside of this piece just has pure Ravenscrag (raw:roast).
Same body, same glaze. Left is cone 10 oxidation, right is cone 10 reduction. What a difference! This is a Ravenscrag-Slip-based recipe on a high-fire iron stoneware. In reduction, the iron oxide in the body and glaze darkens (especially the body) and melts much more. The behavior of the tin oxide opacifier is also much different (having very little opacifying effect in reduction).
In the ceramic industry, cordierite is a man-made refractory crystalline material having extremely low thermal expansion.
|Materials||Cimcoat 325 Talc|
|Materials||4392 Rosa Blanca|
|Materials||Pioneer 2661 Talc|
|Materials||Texas Talc 92|
|Materials||Glacier 200 Talc|
|Materials||Texas Talc 286|
|Materials||Light Magnesium Carbonate|
|Materials||TDM 92 Talc|
|Materials||Luzenac Talc 00S|
|Temperatures||Amorphous cargon burns from Texas Talc (750-850)|
|Temperatures||Talc crystalline water vaporizes (900-1000)|
|Temperatures||Talc melts (1420C-)|
|Typecodes||Low Expansion Material
Materials used to make bodies requiring low expansion (e.g. flameware, refractories). The individual particles of these materials have low expansion. Some of theme even expand at certain temperature ranges.
Materials that source Na2O, K2O, Li2O, CaO, MgO and other fluxes but are not feldspars or frits. Remember that materials can be flux sources but also perform many other roles. For example, talc is a flux in high temperature glazes, but a matting agent in low temperatures ones. It can also be a flux, a filler and an expansion increaser in bodies.
Generic materials are those with no brand name. Normally they are theoretical, the chemistry portrays what a specimen would be if it had no contamination. Generic materials are helpful in educational situations where students need to study material theory (later they graduate to dealing with real world materials). They are also helpful where the chemistry of an actual material is not known. Often the accuracy of calculations is sufficient using generic materials.
|Suppliers||Shijiazhuang Jialu Chemical Import Export Co., Ltd|
|Suppliers||Vanderbilt Minerals, LLC|
|Suppliers||Gouverneur Talc Co.|
Bloating in clay bodies occurs when the firing goes high enough to seal the surface and prevent the passage of gases releasing inside.
Talc at Mineral.Galleries.com
Talc at webmineral.com
Luzenac: All About Talc
Talc at Wikipedia
|Oxides||MgO - Magnesium Oxide, Magnesia|
|Hazards||Talc Hazards Overview|
|Articles||Low Fire White Talc Casting Body Recipe
The classic white ball clay talc casting and modelling recipe has been used for many years. It is a dream to use as long as you are aware of the problems and risks.
|Body Maturity||Talc in 1-4% amounts can be used in the cone 4-10 range to effectively increase body maturity. In some case 1% will move a body down by one cone.|
|Body Thermal Expansion||Talc is used up to 60% in low fire artware bodies to increase thermal expansion so they fit commercial glazes.|
|Glaze Opacifier||Talc is a refractory powder and can promote matteness and opacity when added to low-fire glazes.|