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Al2O3 | B2O3 | BaO | C | CaO | CO2 | CoO | Cr2O3 | Cu2O | CuO | Fe2O3 | FeO | H2O | K2O | Li2O | LOI | MgO | MnO | MnO2 | Na2O | NiO | O | Organics | P2O5 | PbO | SiO2 | SnO2 | SO3 | SO4 | | TiO2 | V2O5 | ZnO | ZrO | ZrO2

Ag2O | AlF3 | As2O3 | As4O6 | Au2O3 | BaF2 | BeO | Bi2O3 | CaF2 | CdO | CeO2 | Cl | CO | CrO3 | Cs2O | CuCO3 | Dy2O3 | Er2O3 | Eu2O3 | F | Fr2O | Free SiO2 | Ga2O3 | GdO3 | GeO2 | HfO2 | HgO | Ho2O3 | In2O3 | IrO2 | KF | KNaO | La2O3 | Lu2O3 | Mn2O3 | MoO3 | N2O5 | NaF | Nb2O5 | Nd2O3 | Ni2O3 | OsO2 | Pa2O5 | PbF2 | PdO | PmO3 | PO4 | Pr2O3 | PrO2 | PtO2 | RaO | Rb2O | Re2O7 | RhO3 | RuO2 | Sb2O3 | Sb2O5 | Sc2O3 | Se | SeO2 | Sm2O3 | Ta2O5 | Tb2O3 | Tc2O7 | ThO2 | Tl2O | Tm2O3 | Trace | U3O8 | UO2 | WO3 | Y2O3 | Yb2O3

SrO (Strontium Oxide, Strontia)


Co-efficient of Linear Expansion 0.130
Frit Softening Point 2430C (From The Oxide Handbook)


-Together with CaO, BaO, and MgO it is considered one the Alkaline Earth group of oxides. It has a cubic crystal structure.

-Does not break down till about 1100C (cone 02) so it is not useful as a predominant glaze flux below this temperature (although it participates will in low fire frits with others). Thus SrO must thus be employed in frit form below 1100C to be effective as a flux.

-In stoneware glazes, substituting part of the CaO for SrO often produces a glossier surface (because of its high refractive index).

-It has an expansion akin to CaO and a similar decomposition behavior.

-Strontium compounds have not been widely used until more recently because of their more limited availability (although the value of this oxide has long been known). But now strontium containing frits are common, especially where priorities are brilliant glaze finishes while keeping the thermal expansion low. It has been been compared to lead for this reason.

-It is very useful at lower stoneware temperatures (i.e. cone 1) for high gloss, craze resistant glazes which develop a good interface with the clay body. The interface development is thought to occur because of the mixed-oxide effect (bodies do not normally contain SrO).

-Strontium is important because of its non-hazardous, non-poisonous nature. With it, glazes of all temperatures can be made free of lead and barium (in spite of its different expansion, it can even be a viable substitute for small proportions of lead). Glossy glazes melting as low as cone 01 without any zinc are possible (long soaking periods may be necessary). Like lead, strontium also develops vivid colors.

-Even though it has a very high melting temperature, SrO is effective in combination with other fluxes at lower temperatures (if it is added in fritted form).

-Like CaO and ZnO, it forms a crystal matte surface on cooling if dominant in the RO group. Conversely, a diversity of fluxing oxides associated with SrO will reduce crystallization.

-Small additions of SrO can improve the surface of viscous high fire zirconium glazes.

-If BaO is replaced in whole or in part with SrO, glazes can develop better interface and have a lower expansion. However, they may also be less elastic than those formed by Ba and this could lead to fit problems where body and glaze are not closely compatible. SrO has a different color response than CaO to copper and cobalt; it has a lower expansion, and is a little more powerful at fluxing.

-The lower temperature decomposition of raw strontium carbonate potentially produces an earlier reaction of SrO giving the melt more time to clear of bubbles and pits.

Cone 6 porcelain marbled and thrown

Polar ice marbled porcelain bowls by Tony Hansen

These bowls were made by Tony Hansen using a mixture of white and stained New-Zealand-kaolin-based porcelain (Plainsman Polar Ice) fired at cone 6. The body is not only white, but very translucent.

Ceramic Oxide Periodic Table

All common traditional ceramic base glazes are made from only a dozen elements (plus oxygen). Materials decompose when glazes melt, sourcing these elements in oxide form. The kiln builds the glaze from these, it does not care what material sources what oxide (assuming, of course, that all materials do melt or dissolve completely into the melt to release those oxides). Each of these oxides contributes specific properties to the glass. So, you can look at a formula and make a good prediction of the properties of the fired glaze. And know what specific oxide to increase or decrease to move a property in a given direction (e.g. melting behavior, hardness, durability, thermal expansion, color, gloss, crystallization). And know about how they interact (affecting each other). This is powerful. And it is simpler than looking at glazes as recipes of hundreds of different materials (each sources multiple oxides so adjusting it affects multiple properties).

An ultra-clear brilliantly-glossy cone 6 clear base glaze? Yes!

I am comparing 6 well known cone 6 fluid melt base glazes and have found some surprising things. The top row are 10 gram GBMF test balls of each melted down onto a tile to demonstrate melt fluidity and bubble populations. Second, third, fourth rows show them on porcelain, buff, brown stonewares. The first column is a typical cone 6 boron-fluxed clear. The others add strontium, lithium and zinc or super-size the boron. They have more glassy smooth surfaces, less bubbles and would should give brilliant colors and reactive visual effects. The cost? They settle, crack, dust, gel, run during firing, craze or risk leaching. Out of this work came the G3806E and G3806F.


Materials Frit
Frits are made by melting mixes of raw materials, quenching the melt in water, grinding the pebbles into a powder. Frits have chemistries raw materials cannot.
Materials Strontium Carbonate
A pure source of SrO for ceramic glazes. It contains 70% SrO and has an LOI of 30% (released as CO2 during firing).
Oxides BaO - Barium Oxide, Baria
Glossary Alkaline Earths
Refers to a group of ceramic fluxing oxides that contribute similar properties to fired glazes. They contrast with the alkalis which are stronger fluxes.
Glossary Flux
Fluxes are the reason we can fire clay bodies and glazes in common kilns, they make glazes melt and bodies vitrify at lower temperatures.
Glossary Glossy Glaze


Glaze MattenessLike calcia and baria, it will produce a fine crystalline mesh to give attractive satin matte surfaces.
By Tony Hansen
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