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BORY1 - Bory 1 Crystalline Glaze
CELECG - Celestite Crystalline Glaze
FAAO - Fa's All-Opaque Crystalline Glaze
FAC5 - Crystal Number Five Glaze
FO - Octal Crystalline Glaze
G1214M - 20x5 Cone 6 Base Glossy Glaze
G1214W - Cone 6 Transparent Base
G1214Z1 - Cone 6 Silky CaO matte base glaze
G1215U - Low Expansion Glossy Clear Cone 6
G1216L - Transparent for Cone 6 Porcelains
G1216M - Cone 6 Ultraclear Glaze for Porcelains
G1916Q - Low Fire Highly-Expansion-Adjustable Transparent
G1947U - Cone 10 Glossy transparent glaze
G2000 - LA Matte Cone 6 Matte White
G2240 - Cone 10R Classic Spodumene Matte
G2571A - Cone 10 Silky Dolomite Matte glaze
G2826R - Floating Blue Cone 5-6 Original Glaze Recipe
G2826X - Randy's Red Cone 5
g2851H - Ravenscrag Cone 6 High Calcium Matte Blue
G2853B - Cone 04 Clear Ravenscrag School Glaze
G2896 - Ravenscrag Plum Red Cone 6
G2902B - Cone 6 Crystal Glaze
G2902D - Cone 6 Crystalline Development Project
G2916F - Cone 6 Stoneware/Whiteware transparent glaze
G2926B - Cone 6 Whiteware/Porcelain transparent glaze
G2926J - Low Expansion G2926B
G2928C - Ravenscrag Silky Matte for Cone 6
G2931H - Ulexite High Expansion Zero3 Clear Glaze
G2931K - Low Fire Fritted Zero3 Transparent Glaze
G2931L - Low Expansion Low-Fire Clear
G2934 - Matte Glaze Base for Cone 6
G2934Y - Cone 6 Magnesia Matte Low LOI Version
G3806C - Cone 6 Clear Fluid-Melt transparent glaze
G3838A - Low Expansion Transparent for P300 Porcelain
G3879 - Cone 04 Transparent Low-Expansion transparent glaze
GA10-A - Alberta Slip Base Cone 10R
GA10-B - Alberta Slip Tenmoku Cone 10R
GA10-D - Alberta Slip Black Cone 10R
GA10x-A - Alberta Slip Base for cone 10 oxidation
GA6-A - Alberta Slip Cone 6 transparent honey glaze
GA6-B - Alberta Slip Cone 6 transparent honey glaze
GA6-C - Alberta Slip Floating Blue Cone 6
GA6-D - Alberta Slip Glossy Brown Cone 6
GA6-F - Alberta Slip Cone 6 Oatmeal
GA6-G - Alberta Slip Lithium Brown Cone 6
GA6-G1 - Alberta Slip Lithium Brown Cone 6 Low Expansion
GA6-H - Alberta Slip Cone 6 Black
GBCG - Generic Base Crystalline Glaze
GC106 - GC106 Base Crystalline Glaze
GR10-A - Pure Ravenscrag Slip
GR10-B - Ravenscrag Cone 10R Gloss Base
GR10-C - Ravenscrag Cone 10R Silky Talc Matte
GR10-E - Alberta Slip:Ravenscrag Cone 10R Celadon
GR10-G - Ravenscrag Cone 10 Oxidation Variegated White
GR10-J - Ravenscrag Cone 10R Dolomite Matte
GR10-J1 - Ravenscrag Cone 10R Bamboo Matte
GR10-K1 - Ravenscrag Cone 10R Tenmoku
GR10-L - Ravenscrag Iron Crystal
GR6-A - Ravenscrag Cone 6 Clear Glossy Base
GR6-B - Ravenscrag Cone 6 Variegated Light Glossy Blue
GR6-C - Ravenscrag Cone 6 White Glossy
GR6-D - Ravenscrag Cone 6 Glossy Black
GR6-E - Ravenscrag Cone 6 Raspberry Glossy
GR6-H - Ravenscrag Cone 6 Oatmeal Matte
GR6-L - Ravenscrag Cone 6 Transparent Burgundy
GR6-M - Ravenscrag Cone 6 Floating Blue
GR6-N - Ravenscrag Alberta Brilliant Cone 6 Celadon
GRNTCG - GRANITE Crystalline Glaze
L2000 - 25 Porcelain
L3341B - Alberta Slip Iron Crystal Cone 10R
L3685U - Cone 03 White Engobe Recipe
L3724F - Cone 03 Terra Cotta Stoneware
L3924C - Zero3 Porcelain Experimental
L3954B - Cone 6 Engobe (for M340)
L3954N - Cone 10R Base White Engobe Recipe for stonewares
MGBase1 - High Calcium Semimatte 1 (Mastering Glazes)
MGBase2 - High Calcium Semimatte 2 (Mastering Glazes)
MGBase3 - General Purpose Glossy Base 1 (Mastering Glazes)
MGBase4 - Glossy Base 2 Cone 6 (Mastering Glazes)
MGBase5 - Glossy Clear Liner Cone 6 (Mastering Glazes)
MGBase6 - Zinc Semimatte Glossy Base Cone 6
MGBase7 - Raspberry Cone 6 (Mastering Glazes)
MGBase8 - Waxwing Brown Cone 6 (Mastering Glazes)
MGBase9 - Waterfall Brown Cone 6 (Mastering Glazes)
TNF2CG - Tin Foil II Crystalline Glaze
VESUCG - Vesuvius Crystalline Glaze

L3724F - Cone 03 Terra Cotta Stoneware

Modified: 2020-12-14 12:11:35

An experimental Zero3 using Plainsman 3D clay

Material Amount Percent
Plainsman 3D45.0040.4
Redart50.0044.9
National Standard Bentonite5.004.5
Ferro Frit 311010.009.0
Yellow Iron Oxide1.000.9
Barium Carbonate0.250.2
111.25 100

Notes

This was version 1 of the Zero3 low fire red-burning plastic stoneware recipe. We were attempting to make use of a Plainsman material. While it worked version well we eventually decided to go back to the original concept of using pure Redart clay, to make it useful in all of North America. That is L3724N2.

The original goal was a terra cotta clay with added frit to make it vitrify at cone 03. The previous version to this one, L3724E, had 5 frit. The former has better red color as a slip, this one is better as a body itself. Although the development effort spanned a year, it ended in only partial success. It was found that this body (and many variations of it) was too volatile, there is too narrow a temperature window between too mature and too porous. When too mature, the fired shrinkage was very high, the color went from red to brown and the glaze was filled with bubbles from decomposition occurring within the over-fired body. When too open, the color was good but it was too susceptible to absorption of water into the matrix, this could be seen at sites of glaze imperfections where the water could get through. However, if you carefully watch glaze fit and make sure there are no imperfections in the glaze surface, this body could be successfully used at cone 04 to make quite strong ware.

The L3724N2 version, which we recommend, also has the possibility of being a casting body.

Related Information

A vitreous terra cotta slip over a white low fire stoneware


This picture has its own page with more detail, click here to see it.

L3724F fluxed terra cotta slip applied over a white burning stoneware (L3685R) fired at cone 03. Most slips in use are not adequately fluxed and do not adhere well to the body below. The frit in this one attaches much better and even enables it to develop a sheen. Also, because of its volatility of color in the cone 03 range, variations in the shade and degree of sheen will impart an appearance like flashing.

One small pinhole in a terra cotta mug and we have a problem


This picture has its own page with more detail, click here to see it.

This is L3724E terra cotta stoneware. The inside slip is L3685S, a frit-fluxed engobe that is hard like the body and attaches well to it (engobes are often insufficiently fluxed). The glaze (G1916Q) is Frit 3195, Frit 3110 and 15% ball clay. The body has about 3% porosity, enough to make very strong pots. However that porosity is still enough to absorb water (and coffee). Although not too visible here, the pinhole in the inner surface has enabled absorption and there is a quarter-sized area of discoloration below the glaze. The piece could possibly be fired a cone higher, but testing would be required to see if the slip is still firing-shrinkage and thermal-expansion compatible with the body and that the body would not be over-fired. A better solution is adjust the firing curve to heal the glaze better. High temperature stoneware can easily have a 3% porosity also, so this is not just a low fire issue.

Double-slip layer incised decoration: A challenge in slip-body fitting


This picture has its own page with more detail, click here to see it.

An example of a white engobe (L3685T) applied over a red clay body (L3724F), then a red engobe (also L3724F) applied over the white. The incised design reveals the white inter-layer. This is a tricky procedure, you have to make sure the two slips are well fitted to the body (and each other), having a compatible drying shrinkage, firing shrinkage, thermal expansion and quartz inversion behavior. This is much more complex that for glazes, they have no firing shrinkage and drying shrinkage only needs to be low enough for bisque application. Glazes also do not have quartz inversion issues.

What does it take to get a crystal-clear low fire transparent? A lot!


This picture has its own page with more detail, click here to see it.

These three cups are glazed with G1916S at cone 03. The glaze is the most crystal clear achieved so far because it contains almost no gas producing materials (not even raw kaolin). It contains Ferro frits 3195 and 3110 plus 11 calcined kaolin and 3 VeeGum. Left is a low fire stoneware (L3685T), center is Plainsman L212 and right a vitreous terra cotta (L3724F). It is almost crystal clear, it has few bubbles compared to the kaolin-suspended version. These all survived a 300F/icewater IWCT test without crazing!

Low fire red burning Zero3 engobe on white low fire stoneware


This picture has its own page with more detail, click here to see it.

L3724E ball milled flocculated slip has been applied to L3685U low fire white stoneware. Notice how silky smooth it is. What is the secret of getting a perfectly even layer that does not drip: Thin the slip until it is fairly watery (stays in motion for 10 seconds or more after stirring) and then flocculating it using powdered Epsom salts until it gels enough to stay in motion for less than 2 seconds.

Links

Recipes G1916Q - Low Fire Highly-Expansion-Adjustable Transparent
An expansion-adjustable cone 04 transparent glaze made using three common Ferro frits (low and high expansion), it produces an easy-to-use slurry.
Recipes L3924C - Zero3 Porcelain Experimental
Recipes L3685U - Cone 03 White Engobe Recipe
A white burning body with enough added frit to produce a cone 03 stoneware or white slip for use on the matching red Zero3 stoneware.
Glossary Terra Cotta
A type of red firing pottery. Terra cotta clay is available almost everywhere, it is fired at low temperatures. But quality is deceptively difficult to achieve.
Media How to Apply a White Slip to Terra Cotta Ware
I will show you some secrets of making a base engobe (or slip) apply to leather hard terracotta ware in a thick, perfectly even layer.
URLs https://insight-live.com/insight/share.php?z=5R9GFgEEYF
Zero3 porcelain/stoneware, engobe, clear glaze and firing schedule

XML to Paste Into Insight-live

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<recipeline material="National Standard Bentonite" amount="5.000"/>
<recipeline material="Ferro Frit 3110" amount="10.000"/>
<recipeline material="Yellow Iron Oxide" amount="1.000"/>
<recipeline material="Barium Carbonate" amount="0.250"/>
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By Tony Hansen
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