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MGBase2 - High Calcium Semimatte 2 (Mastering Glazes)

Modified: 2025-12-30 03:57:01

Base from Mastering Glazes book page 89

Material Amount
Ferro Frit 319523.00
Wollastonite28.00
Nepheline Syenite4.00
EPK28.00
Silica17.00
100.00

Notes

In Mastering Cone 6 Glazes, High Calcium Semimatte 2 (HCSM 2) is the closely related sibling to HCSM 1. It was formulated to offer a slightly "stiffer" melt.

Key Properties
• Visual Appearance: It is a soft, opaque, eggshell-white base. Compared to HCSM 1, it tends to be a bit more opaque and "whiter" providing a dense, velvety look that masks the color of the underlying clay.
• The Science: Like its predecessor, it relies on high calcium levels to create a micro-crystalline surface. It’s modified Alumina:Silica ratio shifts the surface texture and durability.
• Surface: It is a true semimatte. It isn't quite as "shiny" as a semi-gloss, but it isn't "stony" or dry either. It has a refined, smooth feel that is synonymous with the Hesselberth/Roy "functional matte" philosophy.
• Durability: This glaze is a gold standard for chemical stability. It passes a "lemon test" (acid resistance) and "dishwasher test" (alkali resistance) with flying colors.

Likes (Pros)
• Superior Opacity: If you are working with darker stoneware or speckled clay and you want a clean, solid color without the clay showing through, HCSM 2 is often the better choice over HCSM 1.
• Consistency: It is widely considered one of the most stable glazes in the book. It is less prone to "shivering" (glaze popping off) or "crazing" (cracking) than more experimental matte recipes.
• Excellent Color Response: It reacts beautifully with oxide additions. When you add Chrome or Copper, the opacity of the base creates very "solid" colors (like a pastel mint or a solid pink) rather than the translucent, watery colors seen in glossy glazes.
• User-Friendly Application: It generally has excellent "bucket manners." It stays suspended well and creates a nice, even coat on the biscuit ware that doesn't crack as it dries.

Dislikes (Cons)
• Cooling Dependence: Just like HCSM 1, if you don't use a controlled slow-cool in your electric kiln, this glaze can easily fire glossy. Without the time for crystals to grow during cooling, you lose the signature matte finish.
• Flatness: Because it is more opaque, it can sometimes look a bit "flat" or "industrial" if used without any colorants or texture. It doesn't "break" over edges as dramatically as the more fluid glazes like Waterfall Brown.
• Potential for Metal Marking: As with all high-calcium mattes, the microscopic surface crystals can be harder than stainless steel. If used on flat plates, you may eventually see grey cutlery marks (though this is a surface deposit, not a scratch in the glaze).
• Application Depth: If applied too thinly, it can feel a little "scummy" or rough.

Related Information

Links

Firing Schedules Mastering Glazes Cone 6
Six-step with controlled drops to 1000C and 760C
Typecodes Recipes from Mastering Glazes Book
Descriptions of these glazes often contain over-the-top adjectives like “scientifically formulated”, “perfect”, “exceptional”, “beautifully”, “engineered”, “specifically designed”, “sophisticated”, etc. Of course there are no perfect recipes to be discovered, they all inhabit spaces balancing a dozen different properties, tuning one most often affects one or more of the others. And, recipe is only one thing affecting the finished product, process factors can have even more influence on finished appearance and properties.
Typecodes Medium Temperature Glaze Recipes
Normally fired at cone 5-7 in electric kilns.

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