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A Low Cost Tester of Glaze Melt Fluidity
A One-speed Lab or Studio Slurry Mixer
A Textbook Cone 6 Matte Glaze With Problems
Adjusting Glaze Expansion by Calculation to Solve Shivering
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Binders for Ceramic Bodies
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Ceramic Tile Clay Body Formulation
Changing Our View of Glazes
Chemistry vs. Matrix Blending to Create Glazes from Native Materials
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Crazing and Bacteria: Is There a Hazard?
Crazing in Stoneware Glazes: Treating the Causes, Not the Symptoms
Creating a Non-Glaze Ceramic Slip or Engobe
Creating Your Own Budget Glaze
Crystal Glazes: Understanding the Process and Materials
Deflocculants: A Detailed Overview
Demonstrating Glaze Fit Issues to Students
Diagnosing a Casting Problem at a Sanitaryware Plant
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Duplicating Albany Slip
Duplicating AP Green Fireclay
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Fighting the Glaze Dragon
Firing Clay Test Bars
Firing: What Happens to Ceramic Ware in a Firing Kiln
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Fixing a glaze that does not stay in suspension
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Some Keys to Dealing With Firing Cracks
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Substituting Cornwall Stone
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The Chemistry, Physics and Manufacturing of Glaze Frits
The Effect of Glaze Fit on Fired Ware Strength
The Four Levels on Which to View Ceramic Glazes
The Majolica Earthenware Process
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The Trials of Being the Only Technical Person in the Club
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Those Unlabelled Bags and Buckets
Tiles and Mosaics for Potters
Toxicity of Firebricks Used in Ovens
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Understanding Ceramic Materials
Understanding Ceramic Oxides
Understanding Glaze Slurry Properties
Understanding the Deflocculation Process in Slip Casting
Understanding the Terra Cotta Slip Casting Recipes In North America
Understanding Thermal Expansion in Ceramic Glazes
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Understanding Ceramic Oxides

Description

Fired glazes are composed of oxide building blocks. Each of the oxides contributes different properties to the fired glaze and interacts with others in different ways. Understanding these gives you control.

Article

The ancient Chinese thought of glazes as being made of bones, flesh, and blood. They were very perceptive! The silica content of a glaze acts like a framework, the alumina acts to give it body, and the fluxes melt it and impart character acting as the lifeblood.

In understanding fired properties, it is helpful to view materials as sources of oxides. However, remember that although it is chemically possible to supply a given oxide from many materials, often other factors make one of them preferable. For example, kaolin is an ideal source of alumina since it also imparts suspension and hardening properties to the glaze slurry.

Following is a list of the major oxides. There are a multitude of textbooks with more information on this subject. However, the data is widely scattered and thus difficult to study. The best source of information is the oxides area on this website.Not only is each oxide described in detail but properties are assigned so that it can be searched by category. For example, if you need to produce purple you can look up the 'purple' property area and see a list of all the chemistries that produce it.

Major Oxides

Related Information

Ceramic Oxide Periodic Table

All common traditional ceramic base glazes are made from only a dozen elements (plus oxygen). Materials decompose when glazes melt, sourcing these elements in oxide form. The kiln builds the glaze from these, it does not care what material sources what oxide (assuming, of course, that all materials do melt or dissolve completely into the melt to release those oxides). Each of these oxides contributes specific properties to the glass. So, you can look at a formula and make a good prediction of the properties of the fired glaze. And know what specific oxide to increase or decrease to move a property in a given direction (e.g. melting behavior, hardness, durability, thermal expansion, color, gloss, crystallization). And know about how they interact (affecting each other). This is powerful. And it is simpler than looking at glazes as recipes of hundreds of different materials (each sources multiple oxides so adjusting it affects multiple properties).

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Projects Properties
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