• Materials for Ceramics

Spodumene

Description: Lithium sourcing feldspar

Notes

The name is from the Greek spodos, meaning burnt to ash. Spodumene is a silicate mineral often referred to as lithium feldspar. Its mineral form is characterized by hard needle-like grains of brilliant white color. It is used in ceramics as a source of lithia.

In ceramics, lithia is a very powerful flux, especially when used in conjunction with potash and soda feldspars. As one of only a few natural lithium source materials, spodumene is a valuable component in glass and ceramic/enamel glazes (Li₂O reduces thermal expansion, melting temperature and viscosity of the glaze melt).

Spodumene is only slightly soluble (in contrast to lithium carbonate). Because spodumene is a natural combination of silica, alumina and lithia it melts better than a chemically equivalent mixture of lithium carbonate, kaolin and silica. Since almost all raw glazes contain kaolin and silica it is normally fairly easy to juggle recipe ingredients, using glaze chemistry, to replace lithium carbonate with spodumene (provided, of course, that the lithium carbonate percentage is not too high). Spodumene can also be substituted for part of the feldspar complement in a recipe without disturbing overall chemistry too much (other than substituting Li₂O for KNaO).

That being said, the price of spodumene is increasing rapidly as industry learns to extract the lithium from it. This is being done via calcination to convert the crystal structure from monoclinic alpha (a-form) to tetragonal beta (β-form). Calcination is then further employed in the acid roasting of spodumene, so that lithium can be extracted as water-soluble lithium sulfate.

Some types of spodumene do contribute to the formation of bubbles in the glaze slurry. You can wash spodumene before use to alleviate this issue (mix it well in plenty of hot water, allow to settle overnight, pour off the water the next day and dry it).

Spodumene is a little more readily fusible than petalite since it is higher in lithium. It is considered a better source of Li₂O for frits. Some sources quote the percentage of Li₂O in molar percent rather than weight percent (resulting in a much higher figure).

Spodumene powder, although heavy, dusts easily and is very unpleasant to smell or breathe. And it sticks to tools, scoops and containers. Good ventilation equipment is needed to be able to mix glazes using it.

Related Information

Spodumene ore

Spodumene ore: Typically refiners want 6% or more LiO2 content.

Sourcing Li2O from spodumene instead of lithium carbonate

Lithium carbonate is now ultra-expensive. Yet the glaze on the left needs it. Spodumene has a high enough Li₂O concentration to be a practical source here. It also has a complex chemistry, but the other oxides it contains are those common to glazes anyway. Using my account at insight-live.com, I did the calculations and got a pretty good match in the formulas (lower section in the green boxes). Then I made 10-gram balls and did a melt flow test at 2200F (notice the long crystals in the glass pools below the runways). Not surprisingly, this recipe is very runny, that's why the tiny yellow crystals grow during cooling, they produce the gold effect this recipe is known for. The spodumene version is very similar, perhaps better. Our calculated cost in 2022 was $17.84 vs. $10.40 per kg (based on purchasing 2.5kg amounts of the materials).

Example of a commercial spodumene 2022

Our theoretical chemistry is fairly close to this (notice these numbers are not precise, they indicate a range or minimum).

Spodumene can bubble when mixed with water.

This is what happens when some spodumenes are mixed with water. They generate foam and bubbles. This is disruptive in glazes and can be alleviated by washing and drying the powder before use. Or calcining at 500-600F.

A problem with spodumene fluxed glazes: bubbles, surface dimples

This is a closeup of G3813B, a recipe with 11% spodumene. Although the glaze is very glossy, its surface is marred by tiny dimples, the remnant of broken and partially healed bubbles escapes. These bubbles were in the laydown and dried in place (the spodumene generates these in the slurry itself, making it frothy). This can be reduced by drop-and-hold firing techniques, but a better answer is to find a frit to source the Li₂O.

Adding spodumene to this floating blue tones down the white patches

GA6-C (left) and GA6-E (right) at cone 6 oxidation. The E version adds 4% spodumene onto the 4% rutile in the C (the base is 80% Alberta Slip and 20% frit 3134). The spodumene eliminate the overly whitish areas that can appear. This glaze requires the "Slow Cool (Reactive Glazes)" firing schedule. It looks the best on dark bodies.

Spodumene glaze with natural ironstone concretion speckle

L3362A speckle test cone 10R (G2240 spodumene) using ground ironstone concretions (50% 70-100 mesh, 35% 50-70 mesh, 15% 40-50 mesh) at 0.5%, 0.3%, 0.1% (left to right).

Here is why Spodumene powder glistens in the light

Spodumene ceramic grade, used in glazes, is a 200 mesh material. How could the particles be big enough to glisten in the light? This is a micrograph of some of the particles from the 0.6% plus 100 mesh material that I extracted in a particle size distribution test. And 8% is plus 200 mesh. And all that material is flakey like this, millions of tiny mirrors. This also explains why the material becomes airborne so easily and why it is really not good to breathe this stuff in.

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