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Luke Lindoe designed this kiln in the 1960s. Since the Medicine Hat and Redcliff area were at the Center of a large and diverse ceramic industry there was a lot of industrial gas kiln and burner design knowledge and experience in the area. Luke took that knowledge and applied it to production pottery.
Over the years many potters made kilns based on this design. A kiln in the lab at Plainsman Clays has been operating for more than 50 years. This design proves itself with each firing, producing front-to-back and top-to-bottom consistency of both temperature and atmosphere. Over the years we have attempted to replace it with other commercial kilns, but nothing comes close. Luke made a subsequent change to six vertical burners firing upward under a lifted version of the frame, that design had advantages and disadvantages.
These drawings and pictures were recently found in the vault at Plainsman Clays.
We are part way through converting the book originals to web and PDF format. We plan to convert the drawings to vector and 3D. And possibly combine this with the burners book by Jim Clachrie (see bottom of this page). If you are able to assist with this project please contact Tony Hansen.
This picture has its own page with more detail, click here to see it.
It fires very evenly from top to bottom and front to back. We have used it for quality control to fire thousands of porosity and shrinkage test bars to monitor the maturity of the clay bodies. Oh, we also fire pottery in this!
This picture has its own page with more detail, click here to see it.
It is old, but nothing we have ever used fires as evenly and reliably as this downdraft kiln. It was built by Luke Lindoe in the 1960s. I have used it through my entire life as a potter since the early 1970s. Two burners at 2 inches oil-column will take it to 1000F fairly quickly, but it takes 4 burners at 4 inches and 20 hours to get it to cone 10. I can judge the back pressure and degree of reduction by the length and color of the flames at the peepholes and color of the flame passing the damper at the back. Changing the damper position by an eighth of an inch during reduction is enough to discern a change in the flame.
This picture has its own page with more detail, click here to see it.
It fires evenly in temperature and atmosphere from top to bottom, front to back. Nothing more can be expected for any studio kiln. We use the C10RPL firing schedule.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
Original File: carend.jpg
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This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
This picture has its own page with more detail, click here to see it.
URLs |
https://digitalfire.com/burnerbook/index.php
Gas Burner book by Jim Clachrie Written in the 1970s, it was the bible of kiln and burner design for decades. We are reproducing it for the web. |
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Glossary |
Reduction Firing
A method of firing stoneware where the kiln air intakes and burners are set to restrict or eliminate oxygen in the kiln such that metallic oxides convert to their reduced metallic state. |
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