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3D Print a Test of the Beer Bottle Neck
3D Printing a Clay Cookie Cutter-Stamper
A 3-minute Mug with Plainsman Polar Ice
A Broken Glaze Meets Insight-Live and a Magic Material
Accessing Recipes from "Mid-Fire Glazes" book in Insight-Live
Adjusting the Thixotropy of an Engobe for Pottery
Analysing a Crazing, Cutlery-marking Glaze Using Insight-Live
Compare the Chemistry of Recipes Using Insight-Live
Connecting an External Image to Insight-Live Pictures
Convert a Cone 10 Glaze to Cone 6 Using Desktop Insight
Create a Synthetic Feldspar in Insight-Live
Creating a Cone 6 Oil-Spot Overglaze Effect
Creating Rules for Calcium Carbonate - Wollastonite Substitution
Design a Triangular Pottery Plate Block Mold in Fusion 360
Desktop Insight - Difficult Formula to Batch Calcuations
Desktop Insight 1A - Compare Theoretical and Real-World Feldspars
Desktop Insight 1B - Turn a Feldspar Into a Glaze
Desktop Insight 1C - Substitute Wollastonite for Whiting in Glazes
Desktop Insight 2 - Creating a Matte Glaze
Desktop Insight 3 - Dealing With Crazing
Desktop Insight 4 - Add a Native Material to MDT, Build a Glaze
Desktop Insight 5A - Glaze Formula to Batch Calculations
Desktop Insight MDT: Adding a Material
Desktop Insight: Maintain an MDT as a CSV File in Excel
Digitalfire Desktop INSIGHT Overview Part 1
Digitalfire Desktop INSIGHT Overview Part 2
Draw a propeller in Fusion 360 for use on an overhead propeller mixer
Enter a Recipe Into Insight-live
Entering Shrinkage/Porosity Data Into Insight-Live
Getting Frustrated With a 55% Gerstley Borate Glaze
How I Fixed a Settling Glaze Slurry Using Desktop Insight
How I Formulated a Cone 6 Silky Matte Glaze Using Insight-Live
How to Add Materials to the Desktop Insight MDT
How to Apply a White Slip to Terra Cotta Ware
How to Paste a Recipe Into Insight-live
Importing Data into Insight-live
Importing Desktop Insight Recipes to Insight-live
Importing Generic CSV Recipe Data into Insight-Live
Insight-Live Meets a Silica Deprived Glaze Recipe
Insight-Live Quick Overview
Liner Glazing a Stoneware Mug
Make a precision plaster mold for slip casting using Fusion 360 and 3D Printing
Make test bars to measure pottery clay physical properties
Making ceramic glaze flow test balls
Manually program your kiln or suffer glaze defects!
Mica and Feldspar Mine of MGK Minerals
Predicting Glaze Durability by Chemistry in Insight-Live
Preparing Pictures for Insight-live
Remove Gerstley Borate and Improve a Popular Cone 6 Clear Glaze
Replace Lithium Carbonate With Lithium Frit Using Insight-Live
Replacing 10% Gerstley Borate in a clear glaze
Signing Up at Insight-live.com
Signing-In at Insight-live.com
Slip cast a stoneware beer bottle
Subsitute Gerstley Borate in Floating Blue Using Desktop Insight
Substitute Ferro Frit 3134 For Another Frit
Substituting Custer Feldspar for Another in a Cone 10R Glaze Recipe
Substituting Materials by Weight: Why it does not work!
Substituting Nepheline Syenite for Soda Feldspar
Thixotropy and How to Gel a Ceramic Glaze
Use Insight-live to substitute materials in a recipe
Using Recipe Libraries With Desktop Insight

How to Apply a White Slip to Terra Cotta Ware

I will show you some secrets of making a base engobe (or slip) apply to leather hard terracotta ware in a thick, perfectly even layer.

B. Glazes


Click here to watch this at youtube.com or click here to go to our Youtube channel

The slip is L3685U. I specially formulated it to fire as a stoneware at cone 03 (it contains significant frit). It works as a slip or as a body and I made a matching red (based on Redart) that also works as a vitreous slip or body at cone 03 (thus they can be used on each other). It has 45% kaolin and 3% bentonite, far more clay than any typical glaze, so it forms a slurry that responds well to Epsom Salts to make it gel (vinegar does not work as well). This slip also paints and trails well thus enabling stain additions for making brightly colored decoration. After bisque the slip decoration can be sealed on using the clear glaze (I am also actively developing a recipe for it).

Many people just use a white clay for an engobe at low fire, but this is not a good idea. Slips need to adhere well to the leather hard ware (very plastic slips work best). They need to dry hard and without cracks or flaking off. They need to fire onto the ware and adhere well to the fired ceramic below, that is not the norm at low fire so they need frit added. Engobes need to have a fired shrinkage very similar to the body (to minimize compression or tension). They need to have a thermal expansion compatible with that of the body (to minimize shivering/flaking). If you use this slip on a regular terra cotta (having no frit to make it vitrify) you will likely have issues.

Links

Recipes L3685U - Cone 03 White Engobe Recipe
A white burning body with enough added frit to produce a cone 03 stoneware or white slip for use on the matching red Zero3 stoneware.
Recipes L3724F - Cone 03 Terra Cotta Stoneware
An experimental Zero3 using Plainsman 3D clay
Glossary Engobe
Engobes are high-clay slurries that are applied to leather hard or dry ceramics. They fire opaque and are used for functional or decorative purposes. They are formulated to match the firing shrinkage and thermal expansion of the body.
Glossary Thixotropy
Thixotropy is a property of ceramic slurries of high water content. Thixotropic suspensions flow when moving but gel after sitting (for a few moments more depending on application). This phenomenon is helpful in getting even, drip-free glaze coverage.
Glossary Terra Cotta
A type of red firing pottery. Terra cotta clay is available almost everywhere, it is fired at low temperatures. But quality is deceptively difficult to achieve.
Glossary Majolica
Majolica is white opaque glazed red earthenware clay having colored overglaze decoration. But if you know more about what it is technically you will have more control of your product.

Cone 03 stoneware. Red and white body and slips. Clear glaze.


Cone 03 white stoneware with red terra cotta ball-milled slip and transparent overglaze. They are L3685U engobe (Ferro frit 3110, #6 tile kaolin, Silica), near the final mix for a white low fire stoneware. The G1916J glaze is super clear. Why? Two reasons. These were fired in a schedule designed to burn off the gases from the bentonite in the body before the glaze fuses (it soaks the kiln for 2 hours at 1400F). Terra cotta clays generate alot of gases at cone 03 (producing glaze micro-bubbles), but here the terra cotta is only a thin slip over the much cleaner burning white body.

By Tony Hansen
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