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2019 Jiggering-Casting Project of Medalta 66 Mug
A cereal bowl jigger mold made using 3D printing
Beer Bottle Master Mold via 3D Printing
Better Porosity Clay for Brown Sugar Savers
Build a kiln monitoring device
Coffee Mug Slip Casting Mold via 3D Printing
Comparing the Melt Fluidity of 16 Frits
Cookie Cutting clay with 3D printed cutters
Evaluating a clay's suitability for use in pottery
Make a mold for 4-gallon stackable calciners
Make Your Own Pyrometric Cones
Making a high quality ceramic tile
Making a Plaster Table
Making Bricks
Making our own kilns posts using a hand extruder
Making your own sieve shaker for slurries
Medalta Ball Pitcher Slip Casting Mold via 3D Printing
Medalta Jug Master Mold Development
Mother Nature's Porcelain - Plainsman 3B
Nursery Plant Pot
Pie-Crust Mug-Making Method

Project to Document a Shimpo Jiggering Attachment
Roll, Cut, Pull, Attach Handle-making Method
Slurry Mixing and Dewatering Your Own Clay Body
Testing a New Load of EP Kaolin
Using milk as a glaze

Plainsman 3D, Mother Nature's Porcelain/Stoneware

3D is the cleanest material Plainsman mines in the Whitemud Formation (lowest fired speckle and low soluble salts). It is silty and has traditionally been used to cut plasticity in bodies. It is the bottom layer that we mine at Ravenscrag, SK. It is he thickest layer, we have so much of it stockpiled that it has not been extracted in the past two minings. This comes out of the ground very pure, as a silty material that weathers and breaks down readily. It is easy to process. It can readily be slurried by simply mixing the lumps into water, they slake quickly.

Recently we have discovered that, if slurried and sieved to 325 mesh, the removed particulates leave a plastic, ready-to-use porcelain for the 6-8. One that fires to steel-like strength. And fits common glazes. Even will no processing at all, just slurrying the raw lamps, it produces a stoneware that vitrifies by cone 8 and fires stable and clean across a wide range (even beyond cone 10).

Because 3D already contains natural feldspar and quartz, it is a complete material, ready-to-go for many applications. The amount of processing is the primary determiner of what it is suitable for (the more +325 mesh particles that can be remove the better it is). Industrial porcelains and stonewares for traditional ceramics (e.g. tile, brick, pottery) are made mainly from feldspar, quartz and kaolin/ball clay; each of these are available from many suppliers and each of those is often available in many grades (according to the amount of processing). These industrial minerals are selected for their physical properties (e.g. plasticity, behaviour in slurries, powder flow properties, particle size distribution) and their fired properties (e.g. whiteness, shrinkage, density, vitrification influence, chemistry). Bodies made are often less-than-optimal because of material price considerations. And sub-optimal working properties often must be tolerated to achieve a specific fired-properties goal. Plainsmamn 3D was formulated by Mother Nature. Without any addictions it already has most of what is needed for making ceramic tile, for example. Specific industrial minerals can be added in minor amounts for specific effect (e.g. 2% talc to make it matures 2 cones lower).

We are making ceramic tiles from pure 3D. It dries quickly, fits glazes well, fires strong. It's silty nature makes it unsuitable for a plastic body (e.g. for throwing). But it does have plenty of plasticity for pressing, extruding or rolling ceramic tiles. And it dries quickly with minimal shrinkage.

Related Information

Plainsman 3D Stoneware fired bars

These bars are made for the SHAB test. The top one is cone 10 Reduction. Below that, cone 10 down to 5. The clay has been ground to 42 mesh. Notice that in reduction firing (top bar) there are almost no iron specks! And it has fired dense, to a porosity below 0.5%. At cone 10 oxidation the porosity is 0.8%. Drying shrinkage is between 5 and 5.5%. Fired shrinkage at cone 10 is less than 7%. At cone 7 it is a stoneware, having only 6% firing shrinkage and 3% porosity. This data is amazing because it is an unprocessed clay, merely ground in a hammermill to break up the lumps.

Mel Noble at Plainsman Clay's Ravenscrag, Saskatchewan quarry

Whitemud formation layers

Plainsman Clays extracts 6 different sedimentary clays from this quarry (Mel knows where the layers separate). The dried test bars on the right show them (top to bottom). The range of properties exhibited is astounding. The top-most layer is the most plastic and has the most iron concretion particles (used in our most speckled reduction bodies). The bottom one is the least plastic and most silty (the base for Ravenscrag Slip). The middle two are complete buff stonewares made by mother nature (e.g. M340 and H550). A2, the second one down, is a ball clay (similar to commercial products like OM#4, Bell). A2 is refractory and the base for Plainsman Fireclay. The second from the bottom fires the whitest and is the most refractory (it is the base for H441G).

Ceramic tiles from Alberta and Saskatchewan clay deposits

The front tile was fired vitreous and strong at cone 01 (2050F) from a clay mined in Elkwater, Alberta (98Mix). It is fine grained and plastic, clean and low in soluble salts. The back tile is made from a silty clay from Ravenscrag, Saskatchewan (3D). It fires vitreous at cone 6 (2200F). The glaze on that tile is made using a high percentage of another clay similar to 98Mix, it melts at the higher temperature of 2200F. These tiles have dried and fired flat despite the fact they were made from plastic clay (rather than dust pressed).

How is it possible for the same body to work well at both cone 04 and 6!

The same clay body fits glazes at low temperature and is a stoneware at medium fire. How?

Plainsman 3D! White cone 04 bodies are not vitreous and strong and neither is this. But it is plastic, smooth and fits common low fire glazes. How? 15% Nepheline Syenite (also 50% Plainsman 3D, 35% ball clay and 3% bentonite). The unmelted nepheline particles impose their higher thermal expansion on the fired ceramic. Spectrum 700 clear glaze does not craze and does not permit the entry of water (the mug is glazed across the bottom and fired on a stilt). The mug on the right is made from the same clay, it has been fired ten cones higher, cone 6! Here the nepheline is acting as a flux, producing a dense and very strong stoneware (with G2926B, GA6-B glazes). This is incredible! One note: This cannot be deflocculated and used for casting, soluble salts in the 3D gel the slurry.

GA6-C on a light and dark burning clay body at cone 6

Light and dark coffee mug showing GA6-C glaze

Left: Plainsman 3D, a raw quarry material that fires as a buff stoneware at cone 6-8. Right: Plainsman Coffee clay (stained black using raw umber). Both were fired using the C6DHSC firing schedule. The inside glaze is the GA6-B Alberta Slip base. As of Dec/2021 cobalt retails at $100/500g! Yet the deep blue color on the mug on the right contains zero cobalt, the color is from titanium and iron. This GA6-C blue happens with any dark burning body, or with light burning ones having a dark engobe (e.g. L3954B with a dark colored stain) under the glaze.

Inbound Photo Links

A super vitreous clay body
This super-vitrified clay bodies does this when fired


Projects Making a high quality ceramic tile
Plainsman 3D Clay Data/Information Page
2020 testing project on the incredible clays of Southern Saskatchewn
By Tony Hansen
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