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Tony Hansen's Thousand-Post TimeLine

I am the creator of Digitalfire Insight, the Digitalfire Reference Database and ... more


Rutile blue glaze effect completely lost! Why?

Left: 4% rutile in the Alberta Slip:frit 80:20 base. This glaze has been reliable for years. But suddenly it began firing like the center mug! Three 5 gallon buckets of glaze (of differing ages) all changed at once. We tried every combination of thickness, firing schedule, clay body, ventilation, ... more

Monday 26th September 2016

Blisters in a reduction fired rutile glaze

This is a common problem with these glazes. The visual effect is very compelling but also punishing! Potters experiment with higher bisque firing and soaking during bisque. They try cleaner clay bodies. They employ long hold periods at temperature in the glaze firing. But the problem persists. The ... more

Monday 26th September 2016

A down side of high feldspar glazes: Crazing!

This reduction celadon is crazing. Why? High feldspar. Feldspar supplies the oxides K2O and Na2O, they contribute to brilliant gloss and great color (at all temperatures) but the price is very high thermal expansion. Any glaze having 40% or more feldspar should turn on a red light! Thousands of ... more

Thursday 22nd September 2016

GR10-B Ravenscrag transparent glaze (with 10 talc)

Because this glaze employs 10% dolomite instead of 10% calcium carbonate it has a lower thermal expansion and is less likely to craze. While the dolomite is contributing MgO, which normally mattes glazes, there is not enough to do it here.

Thursday 22nd September 2016

What happens when a limestone clay mix is fired to cone 6?

The top bar is a mix of calcium carbonate and a middle temperature stoneware clay (equal parts). On removal from the kiln it appears and behaves like a normal stoneware clay body, hard and strong. However, pour water on it and something incredible happens: in a couple of minutes it disintegrates. With lots of heat.

Tuesday 20th September 2016

How bad can efflorescence of soluble salts be?

Like this! This terra cotta clay vitrifies here at 1957F (cone 03). This problem is common in many terra cotta materials but can also surface in others. Barium carbonate can be used to precipitate the salts inside the clay matrix so they do not come to the surface on drying.

Sunday 18th September 2016

What is the secret of the higher gloss glaze on the right? Yikes, it is lead!

These cone 04 glazes have the same recipe (a version of Worthington Clear sourcing B2O3 from Ulexite instead of Gerstley borate). While the one on the left is OK, the one on the right is great! Why? It has 10% added lead bisilicate frit. Of course, I would not recommend this, I am just demonstrating ... more

Sunday 18th September 2016

Add 5% caclium carbonate to a tenmoku. What happens?

In the glaze on the left (90% Ravenscrag Slip and 10% iron oxide) the iron is saturating the melt crystallizing out during cooling. GR10-K1, on the right, is the same glaze but with 5% added calcium carbonate. This addition is enough to keep most of the iron in solution through cooling, so it contributes to the super-gloss deep tenmoku effect instead of precipitating out.

Friday 16th September 2016

Sterile white vs. pure Ravenscrag Slip as a liner glaze at cone 10R

This picture does not fully convey how much better the Ravenscrag is as a liner (vs. G1947U). It has depth and looks much richer. It course, it could be opacified somewhat to be whiter and would still retain the surface quality (as long is it is not too opaque). The body is Plainsman H450. The outside glaze is pure Alberta Slip.

Monday 12th September 2016

Colemanite and what its decrepitation does in glazes

Decrepitation refers to a decomposition accompanied by scaling, delayering, even disintegration of the glaze layer. Moving rightward these glazes have increasing percentages of colemanite. At its worst (far right) the glaze is spattering off the sample and onto the kiln shelf. The others are ... more

Saturday 10th September 2016

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