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Stain 6385

Description: Pansy Purple (CrSnCoCaSi)

Notes

Old number: 85

Related Information

Each Mason stain has its own personality for coloring the body


Multi-colored porcelain chips (blue, yellow, green, brown, black, pink)

These Mason stains make the porcelain more refractory, but some more so (e.g. 6385, 6226). Some do not develop the intended color (e.g. 6006 pink, it is a glaze stain only). Some need a higher concentration (e.g. 6121, 6385). Some need a lower concentration (e.g. 6134). Some do not impart a homogeneous color (e.g. 6385). The data sheets from the stain manufacturer normally make it clear which of their stains are suitable in bodies. But it is up to you to test concentrations needed to get the desired color and what adjustments to the porcelain are needed to compensate its degree of vitrification in response to the effects of the stain.

Mason stains in the G2926B base glaze at cone 6


19 glazed porcelain tiles showcasing Mason stain colors

This glaze, G2926B, is our main glossy base recipe. Stains are a much better choice for coloring it than raw metal oxides. Other than the great colors they produce here, there are a number of things worth noticing. Stains are potent colorants, the percentages needed are normally much less than metal oxides. Staining a transparent glaze produces a transparent color, it is more intense where the glaze layer is thicker, this is often desirable in highlighting contours and designs. If you add an opacifier, like zircopax, the color will be less intense, producing a pastel shade the more you add. The chrome-tin maroon 6006 does not develop well in this base (alternatives are G2916F or G1214M). The 6020 manganese alumina pink is also not developing here (it is a body stain). Caution is required with inclusion stains (like #6021), the micro-bubbling here is not likely because it is over fired (it is rated to cone 8), adding 1-2% zircopax normally fixes this issue.

Links

Oxide Analysis Formula
Materials Stain
Typecodes Colorant
Metallic based materials that impart fired color to glazes and bodies.
By Tony Hansen
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