•The secret to cool bodies and glazes is a lot of testing.
•The secret to know what to test is material and chemistry knowledge.
•The secret to learning from testing is documentation.
•The place to test, do the chemistry and document is an account at https://insight-live.com
•The place to get the knowledge is https://digitalfire.com
A glaze or body additive designed to strengthen it during the dry stage or to make it more durable to withstand handling during processing. Binders enable using cleaner but less plastic materials. The mechanism of a binder can be as simple as a glue that hardens and bonds particles together. Other binders, especially inorganics, have more complex mechanisms. Body binders make it possible to form powders that would not otherwise be plastic enough to hold a shape. Likewise, glaze binders make it possible to use slurries with very low clay contents yet still have a hard enough surface to withstand handling.
Binders come at a cost, they slow down drying and often pose issues related to their decompositions during firing (e.g. micro-bubbles in glazes). In some industries, like tile, they are either not used or only selected ones are practical (e.g. sodium silicate).
Orton cones are a good example of the use of a binder. Cones are made from ceramic materials, yet resist re-wetting when immersed in water. Once they do slake the slurry is very sticky and very slow to dewater on a plaster bat. Another common example are prepared commercial hobby and pottery glazes. The binder in them dramatically slows drying so they go on like a paint. It also enables them to adhere to even already-fired glazes or non-porous surfaces. And they dried surface is hard and difficult to remove, even with water.
Out Bound Links
In Bound Links
By Tony Hansen