•The secret to cool bodies and glazes is a lot of testing.
•The secret to know what to test is material and chemistry knowledge.
•The secret to learning from testing is documentation.
•The place to test, do the chemistry and document is an account at https://insight-live.com
•The place to get the knowledge is https://digitalfire.com

Sign-up at https://insight-live.com today.

Overview of Paper Clay

Section: Clay Bodies, Subsection: General

Description

A little background information about the origin and an explanation of what paper clay is

Article Text

Rosette Gault of Seattle, WA (publisher of the booklet Paperclay for Ceramic Sculptors) has been promoting paperclay in many publications in recent years. Brian Gartside, a studio potter from New Zealand is also an early promoter. Paperclay is available from a number of clay manufacturers in North America. Rosette prepared this statement for us:

"Find out more about the many varieties of paper clay earthenwares, terracottas, raku stonewares and porcelains for firing in kilns at www.paperclayart.com. See what the expanded sculptural possiblilities of this clay for firing in kilns can be. These types of clays can be used for vessels, pots, tiles, sculptures, figures, casting and/or pressmolds, wall works, murals and are normally compatible with all kinds of glazes, terra sigillatas and in all types of firing. To try paper clay, you can mix your own or in certain areas even get some ready pugged in bags. Details can be found at the site as well as bibiliography, workshop listings, book and supply sources worldwide."

Here is some of the information we are collected about paper clay:

Combining clay and cellulose fiber from paper produces a versatile clay body that can be molded, modelled, slabbed and coiled in ways that seem to break all the rules of working with clay, and by people possessing little skill. The unique properties of paper clay are thought to be due in part to the fact that the fibres are hollow and the tiny clay particles are able to fill them from the inside. Paper clay is claimed to be impossible to crack, difficult to warp during drying and capable of being rewetted from bone dry by immersion in water. It is also claimed that it can be joined at any stage, dry to wet, wet to leatherhard using the paperclay slip as a glue and is said to develop very high green strength that makes it possible to create much lighter ware. However, we found it difficult to use on the wheel and almost impossible to trim or carve (others claim they are able to do so).

Other notes:

Here is an interesting comment from Graham Hay:
"You provide a good overview on paperclay however it only really covers the USA experience and products. A more international focus source of information, complete with complete journal articles (copyright approved by author and publication) is at www.grahamhay.com.au/paperclay.html. There is an up-to-date automatic search of clayart discussions by potters on paperclay, list of paperclay suppliers around the world etc. I do not have commercial links to maunufactors or sellers of paperclay (unlike most paperclay specialist websites). For the last ten years my principal activity is using paperclay and collecting and distributing paperclay information via workshops and classes."

Out Bound Links


By Tony Hansen




Feedback, Suggestions

Your email address

Subject

Your Name

Message


Copyright 2003, 2008, 2015 https://digitalfire.com, All Rights Reserved